And we all thought, Maybe there’s a film here.”įrantz said that Demme was an early choice, largely thanks to his offbeat 1980 movie Melvin and Howard. “But we saw that there was a progression to it - there was a story, a beginning, a middle, and an end. “It was more or less our tour, what we were doing every show,” Byrne said, referring to the way he started off the concert with just a guitar and a boombox, with band members coming out one by one per number. 1″) of the film, and how the late Jonathan Demme got involved. Lee started off by asking about the origin story (“The Spider-Man No. “I just kept thinking, while I was watching this: This why you go to see a movie in a theater,” Byrne said. As for Harrison, he’d left his row and gone to the back of the theater to dance, “so I could still experience the whole thing in widescreen.” This was the first one I’d ever been to, however, where Byrne himself was out of his seat, dancing right alongside everyone else as a 20-foot version of himself did high knee lifts during the bridge for “Burning.” A half dozen rows behind him, Frantz and Weymouth were also on their feet. So, like so many showings of Stop Making Sense over the years, the crowd at the Toronto International Film Festival premiere of the restored 40th anniversary print (as in four decades since they filmed the shows at Los Angeles’ Pantages Theater in 1983) were shaking what their mothers gave them in the Scotiabank IMAX theater. But inevitably, by the time that the first single off Speaking in Tongues starts that opening groove and the singer yells “Anyone got a match?” - it’s like being at a full-on concert. I’ve been to screenings where it starts a little earlier, around “Thank You for Sending Me an Angel,” and a few where folks are up and moving before Byrne’s opening spare, solo take on “Psycho Killer” hits its last chord. People get up and start dancing in their seats, in the aisles, in the front, and in the back of the theater. “Almost forgot about these,” she captioned the post, causing to question whether this look has been put on hold for now.It usually starts around “Burning Down the House.” That’s six numbers into Stop Making Sense, the 1984 Talking Heads concert film, and the first number to feature not just the central quartet - David Byrne, Jerry Harrison, Tina Weymouth, and Chris Frantz - but the whole expanded band they were using during that tour. Things then got tighter as the dress moved towards the waist, ultimately falling into a maxi skirt that was accented by more padded detailing near the hip. Up top, the piece’s plunging neckline was outlined by a padded detail that created an almost wing-like effect as it finished near her shoulders. The dress followed a form-fitting shape and tightly contoured the actress’ figure-but things really got interesting thanks to a few sculptural details. In the pair of snaps, Zendaya posed in a deep red number from Bottega Veneta’s fall/winter 2023 collection. But unlike others who would pose in say, jeans and a t-shirt, the actress turned things up a notch or two. It seems like Zendaya must have sensed the public’s thirst for a new fashion moment, though, as she took to Instagram to show off her signature style. Who knows what she was cooking up with her stylist Law Roach for the now-concluded Venice Film Festival where her movie, Challengers, was supposed to premiere. We’ve been left to ponder what could have been. In the absence of red carpets amidst the ongoing SAG-AFTRA strike, Zendaya has largely been out of the public eye (at least, in terms of ultra-glam sightings) in recent months.
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